



Living Localities
Designing in the Desert of Post-ideology
Master's Thesis, 2021
Written Component
The way we build our cities reflects what we think of those we build them for. It shows the rights and dignity we accord them. The same belief systems, the same notions of right and wrong, style and vulgarity, progress and decline, determine not just what goes on in a neighbourhood, but also what it looks like. Crucially, these ideas are living things. To be alive is to be mutable, constantly shifting and evolving in step with the wider socio-political discourse. If this is true of the process, then why not of the form?
Living Localities explores conceptual configurations of participatory urban development. By re-contextualising the arid ambiguity we find in the desert of post-ideology, we find instead a foundation of recursivity in line with the dynamic nature of the city as social assemblage - a call to designers to think in terms of processes rather than forms, to seek alternative models of development that extend agency to citizens through heterarchical practices of co-authorship, co-production and interpretation of space.
The seeds of living growth take root on the threshold between contradiction and congruity; on a bedrock of mutability, the ambiguous city unfolds.
Download the full PDF here
Print layout & cover design by Desiree Kabis









Living Localities
Designing in the Desert of Post-ideology
Master's Thesis, 2021
Written Component
The way we build our cities reflects what we think of those we build them for. It shows the rights and dignity we accord them. The same belief systems, the same notions of right and wrong, style and vulgarity, progress and decline, determine not just what goes on in a neighbourhood, but also what it looks like. Crucially, these ideas are living things. To be alive is to be mutable, constantly shifting and evolving in step with the wider socio-political discourse. If this is true of the process, then why not of the form?
Living Localities explores conceptual configurations of participatory urban development. By re-contextualising the arid ambiguity we find in the desert of post-ideology, we find instead a foundation of recursivity in line with the dynamic nature of the city as social assemblage - a call to designers to think in terms of processes rather than forms, to seek alternative models of development that extend agency to citizens through heterarchical practices of co-authorship, co-production and interpretation of space.
The seeds of living growth take root on the threshold between contradiction and congruity; on a bedrock of mutability, the ambiguous city unfolds.
Download the full PDF here
Print layout & cover design by Desiree Kabis






About
My practice spans performance, acousmatic and interactive sound works, and installations. Working through a conceptual lens, I am interested in moments of in-betweenness where meaning must be continuously renegotiated. Central to this are questions of control and its absence; how agency and perception shift, dissolve, or are redistributed within dynamic systems.
Recent projects range from acousmatic spatial compositions to explorations of light-sound transduction, discrete-time feedback systems, and algorithmic interpretations of graphic scores.
I hold a master’s in architecture from the Karlsruhe Institute of Technology and studied Sonology at the Royal Conservatory of The Hague, as well as Media Arts and ArtScience at HfG Karlsruhe and KABK Den Haag. My works and performances have been presented at venues such as Museum West (NL), Garage Rotterdam (NL), ZKM Kubus (DE), Rewire Festival (NL), Lapinlahden Lähde Studios (FI), Národní dům (CZ), and Nova (BE).
Get in touch
contact (at) lythgoe (dot) studio
Links

About
My practice spans performance, acousmatic and interactive sound works, and installations. Working through a conceptual lens, I am interested in moments of in-betweenness where meaning must be continuously renegotiated. Central to this are questions of control and its absence; how agency and perception shift, dissolve, or are redistributed within dynamic systems.
Recent projects range from acousmatic spatial compositions to explorations of light-sound transduction, discrete-time feedback systems, and algorithmic interpretations of graphic scores.
I hold a master’s in architecture from the Karlsruhe Institute of Technology and studied Sonology at the Royal Conservatory of The Hague, as well as Media Arts and ArtScience at HfG Karlsruhe and KABK Den Haag. My works and performances have been presented at venues such as Museum West (NL), Garage Rotterdam (NL), ZKM Kubus (DE), Rewire Festival (NL), Lapinlahden Lähde Studios (FI), Národní dům (CZ), and Nova (BE).
Get in touch
contact (at) lythgoe (dot) studio
Links