DLL
DLL

From Staves to Screens:

Glitch Aesthetics and the Computational Interpretation of Graphic Scores

2025

 

This essay investigates the possibilities and challenges of interpreting graphic musical notation through both human and computational means, juxtaposing expressive freedom and interpretive precision

Full Article: https://echo.orpheusinstituut.be/article/from-staves-to-screens

Reference: https://doi.org/10.47041/IOTP8667

From Staves to Screens:

Glitch Aesthetics and the Computational Interpretation of Graphic Scores

2025

 

This essay investigates the possibilities and challenges of interpreting graphic musical notation through both human and computational means, juxtaposing expressive freedom and interpretive precision

DLL

About

My practice spans performance, acousmatic and interactive sound works, and installations. Working through a conceptual lens, I am interested in moments of in-betweenness where meaning must be continuously renegotiated. Central to this are questions of control and its absence; how agency and perception shift, dissolve, or are redistributed within dynamic systems.


Recent projects range from acousmatic spatial compositions to explorations of light-sound transduction, discrete-time feedback systems, and algorithmic interpretations of graphic scores.

I hold a master’s in architecture from the Karlsruhe Institute of Technology and studied Sonology at the Royal Conservatory of The Hague, as well as Media Arts and ArtScience at HfG Karlsruhe and KABK Den Haag. My works and performances have been presented at venues such as Museum West (NL), Garage Rotterdam (NL), ZKM Kubus (DE), Rewire Festival (NL), Lapinlahden Lähde Studios (FI), Národní dům (CZ), and Nova (BE).

Get in touch

contact (at) lythgoe (dot) studio

Links

DLL

About

My practice spans performance, acousmatic and interactive sound works, and installations. Working through a conceptual lens, I am interested in moments of in-betweenness where meaning must be continuously renegotiated. Central to this are questions of control and its absence; how agency and perception shift, dissolve, or are redistributed within dynamic systems.


Recent projects range from acousmatic spatial compositions to explorations of light-sound transduction, discrete-time feedback systems, and algorithmic interpretations of graphic scores.

I hold a master’s in architecture from the Karlsruhe Institute of Technology and studied Sonology at the Royal Conservatory of The Hague, as well as Media Arts and ArtScience at HfG Karlsruhe and KABK Den Haag. My works and performances have been presented at venues such as Museum West (NL), Garage Rotterdam (NL), ZKM Kubus (DE), Rewire Festival (NL), Lapinlahden Lähde Studios (FI), Národní dům (CZ), and Nova (BE).

Get in touch

contact (at) lythgoe (dot) studio

Links