Electric Animal / Cyber Forest
2022
Electric Animal is a fictional story about an encounter with an unknown being. It follows the narrator in an exploration of the animals habitat and the emergence of an inter-species relationship. The story serves as a vehicle for the exploration of non-human modes of sensory perception, primarily auditory and visual.
On the occasion of the second edition of the eponymous book, I developed an installation and a performance with author and video-artist Desiree Kabis. The latter was performed at the closing of the exhibition at the Gallery Laube on 04.02.2022.
In creating the piece I focused on the connection and transposition of narrative elements into a compositional, auditory, and performative structure. Using light-controlled data streams to control fm-synthesis algorithms based on the mathematical modelling of tree growth phenomena, as well as through extensive processing of a wide range of sample material, a window opens into the psycho-acoustic world of the electric animal, following its diurnal cycle as a loop of four movements (day/dusk/night/dawn). My work on the piece was mentored by Okkyung Lee.
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Installation
3 channel video
2.1 channel audio, 18’39’’ (loop)
Story, print design, projections, voice, video, photos: Desiree Kabis
Sound composition & performance, coding, additional video editing: Daniel L. Lythgoe
Robot: Nele Faust
Additional Camerawork: Lehel Lajos



Electric Animal / Cyber Forest
2022
Electric Animal is a fictional story about an encounter with an unknown being. It follows the narrator in an exploration of the animals habitat and the emergence of an inter-species relationship. The story serves as a vehicle for the exploration of non-human modes of sensory perception, primarily auditory and visual.
On the occasion of the second edition of the eponymous book, I developed an installation and a performance with author and video-artist Desiree Kabis. The latter was performed at the closing of the exhibition at the Gallery Laube on 04.02.2022.
In creating the piece I focused on the connection and transposition of narrative elements into a compositional, auditory, and performative structure. Using light-controlled data streams to control fm-synthesis algorithms based on the mathematical modelling of tree growth phenomena, as well as through extensive processing of a wide range of sample material, a window opens into the psycho-acoustic world of the electric animal, following its diurnal cycle as a loop of four movements (day/dusk/night/dawn). My work on the piece was mentored by Okkyung Lee.
.
..
...
Installation
3 channel video
2.1 channel audio, 18’39’’ (loop)
Story, print design, projections, voice, video, photos: Desiree Kabis
Sound composition & performance, coding, additional video editing: Daniel L. Lythgoe
Robot: Nele Faust
Additional Camerawork: Lehel Lajos




About
My practice spans performance, acousmatic and interactive sound works, and installations. Working through a conceptual lens, I am interested in moments of in-betweenness where meaning must be continuously renegotiated. Central to this are questions of control and its absence; how agency and perception shift, dissolve, or are redistributed within dynamic systems.
Recent projects range from acousmatic spatial compositions to explorations of light-sound transduction, discrete-time feedback systems, and algorithmic interpretations of graphic scores.
I hold a master’s in architecture from the Karlsruhe Institute of Technology and studied Sonology at the Royal Conservatory of The Hague, as well as Media Arts and ArtScience at HfG Karlsruhe and KABK Den Haag. My works and performances have been presented at venues such as Museum West (NL), Garage Rotterdam (NL), ZKM Kubus (DE), Rewire Festival (NL), Lapinlahden Lähde Studios (FI), Národní dům (CZ), and Nova (BE).
Get in touch
contact (at) lythgoe (dot) studio
Links

About
My practice spans performance, acousmatic and interactive sound works, and installations. Working through a conceptual lens, I am interested in moments of in-betweenness where meaning must be continuously renegotiated. Central to this are questions of control and its absence; how agency and perception shift, dissolve, or are redistributed within dynamic systems.
Recent projects range from acousmatic spatial compositions to explorations of light-sound transduction, discrete-time feedback systems, and algorithmic interpretations of graphic scores.
I hold a master’s in architecture from the Karlsruhe Institute of Technology and studied Sonology at the Royal Conservatory of The Hague, as well as Media Arts and ArtScience at HfG Karlsruhe and KABK Den Haag. My works and performances have been presented at venues such as Museum West (NL), Garage Rotterdam (NL), ZKM Kubus (DE), Rewire Festival (NL), Lapinlahden Lähde Studios (FI), Národní dům (CZ), and Nova (BE).
Get in touch
contact (at) lythgoe (dot) studio
Links