DLL
DLL

Coming and Going
2024

They come and they go, shapes brushing past,
real until they aren't, banks of mist within your grasp.
A gulf you find between you
into whose yielding gullet you readily slide,
out, out alone
out to the other side.

Coming and Going is a wavefield synthesis composition for double bass, cello, and electronics. The piece centers the spectral unravelling of the low D of the double bass (72.08 Hz), which evolves from the rich tonalities of the gut strings into pure noise.

The composition emerged through close collaboration with the performers, working associatively to uncover and sustain various harmonics of their instruments, and to connect these harmonic textures with expressive gestures.

The composition premiered at the 2024 WFS Festival at Amare, Den Haag NL.

Featuring:
Ron Veprik (double bass)
Noémie Pestre (cello)

WFS Coming and Going Notebook Sketches Web Compressed

Coming and Going
2024

They come and they go, shapes brushing past,
real until they aren't, banks of mist within your grasp.
A gulf you find between you
into whose yielding gullet you readily slide,
out, out alone
out to the other side.

Coming and Going is a wavefield synthesis composition for double bass, cello, and electronics. The piece centers the spectral unravelling of the low D of the double bass (72.08 Hz), which evolves from the rich tonalities of the gut strings into pure noise.

The composition emerged through close collaboration with the performers, working associatively to uncover and sustain various harmonics of their instruments, and to connect these harmonic textures with expressive gestures.

The composition premiered at the 2024 WFS Festival at Amare, Den Haag NL.

Featuring:
Ron Veprik (double bass)
Noémie Pestre (cello)

WFS Coming and Going Notebook Sketches Web Compressed
DLL

About

My practice spans performance, acousmatic and interactive sound works, and installations. Working through a conceptual lens, I am interested in moments of in-betweenness where meaning must be continuously renegotiated. Central to this are questions of control and its absence; how agency and perception shift, dissolve, or are redistributed within dynamic systems.


Recent projects range from acousmatic spatial compositions to explorations of light-sound transduction, discrete-time feedback systems, and algorithmic interpretations of graphic scores.

I hold a master’s in architecture from the Karlsruhe Institute of Technology and studied Sonology at the Royal Conservatory of The Hague, as well as Media Arts and ArtScience at HfG Karlsruhe and KABK Den Haag. My works and performances have been presented at venues such as Museum West (NL), Garage Rotterdam (NL), ZKM Kubus (DE), Rewire Festival (NL), Lapinlahden Lähde Studios (FI), Národní dům (CZ), and Nova (BE).

Get in touch

contact (at) lythgoe (dot) studio

Links

DLL

About

My practice spans performance, acousmatic and interactive sound works, and installations. Working through a conceptual lens, I am interested in moments of in-betweenness where meaning must be continuously renegotiated. Central to this are questions of control and its absence; how agency and perception shift, dissolve, or are redistributed within dynamic systems.


Recent projects range from acousmatic spatial compositions to explorations of light-sound transduction, discrete-time feedback systems, and algorithmic interpretations of graphic scores.

I hold a master’s in architecture from the Karlsruhe Institute of Technology and studied Sonology at the Royal Conservatory of The Hague, as well as Media Arts and ArtScience at HfG Karlsruhe and KABK Den Haag. My works and performances have been presented at venues such as Museum West (NL), Garage Rotterdam (NL), ZKM Kubus (DE), Rewire Festival (NL), Lapinlahden Lähde Studios (FI), Národní dům (CZ), and Nova (BE).

Get in touch

contact (at) lythgoe (dot) studio

Links